The Secret Life of Hugh Tolford

The Burning and Destruction of the World’s Largest Aircraft Hanger, The Death Valley 49ers, Soupy Sales, The Commander of the Blimp Squadron Against the Imperial Japanese Navy and a Leader of the Antiquarian Bookmen in California

by Paul Hunt

Arson or Bad Maintenance? The Hangar Burns for weeks.

Hugh Tolford ran the Antiquarian Book Association Fairs in California for some time in the 1980s. He always put up a great show, and we all respected his dedication and hard work. When I joined up with Keith Burns, Sol Grossman and Jack Garvin to put on a “low cost” book fair for non-ABAA members (all ABAA members were of course invited to participate), we met often with Tolford who was very helpful to getting us organized and very generous of his time.

Hugh Tolford

Tolford also was a frequent visitor to the Book Castle when we were just getting it off the ground. I had many conversations with him about Western Americana and helped him get some of the old Touring Topics magazines for his collection. Touring Topics was the name of Westways magazine in the early 20th century, and it is still published today by the Auto Club. Tolford had a great collection, and the early issues are important source material for those researching California and Western Americana. Tolford was a wealth of information.

Just recently on November 8th, 2023, a massive fire destroyed one of the world’s largest aircraft hangars, which was located in Tustin, California. The fire was still burning a week later as this is written.

The Huge Hangar during WW2

 

I was doing some casual reading about it, I stumbled across the name Hugh Tolford, my old friend of bookselling days, and of his secret life that he never spoke of in all the many conversations I had with him.

The Blimps had a home in Tustin

The big fire at the aircraft hangar was a disaster. The hangar was so big because in World War 2 it housed the U.S. Navy Blimp fleet. The lighter-than Air Craft were gigantic, much larger than today’s Goodyear blimps that also operate out of that area. The hangar was so large that it could house 7 of the huge monsters inside. A great video by the famous Huell Howser is available on line. It was there that I found out that during WW2, Hugh Tolford was Commander of the Blimp fleet patrolling the West Coast looking for submarines and ships of the Imperial Japanese Navy.

About 7 of the giants would fit into the Hangar

It was a serious and tough job, and the U.S. was on alert after the attack on Pearl Harbor and the famous “Battle of Los Angeles”. Tolford and his Blimp Fleet kept us safe.

Hubert “Hugh” C. Tolford was 24 years old when he enlisted for training in service with lighter-than-air craft in the Naval Air Corps.
He was the first man from Cincinnati, Ohio to train to fly both Blimps and Baloons at Lakehurst, N.J. A graduate of Michigan State University, he entered the service as an aviation cadet. He enlisted soon after Pearl Harbor, in January, 1942, during those early dark days of the war.

By December 1942 Tolford was an Ensign and stationed at the Naval Air Station in Pensacola, Fl. During that month he participated in the wedding of a fellow Ensign, and gave away the bride. He was later transferred to California. The 2 huge Blimp hangars were finished in 1943. Tolford became a Lt. Commander.

Tolford being interviewed by Huell Howser.

After being discharged, in 1945 he formed Tolford-Good Aviation to take over and operate surplus military airfields. He also served as aviation advisor to the San Diego County Board of Supervisors. Tolford sold this company in 1950 and helped organize the Rubbertone Corp.

Hugh Tolford Meets Soupy Sales

In 1952 Tolford joined California Transit Advertising, handling sales promotion and research. By 1956, he was a Vice-President of the Beverly Hills Company. The company placed all those lobby-card size ads along the insides of buses. Anyone who ever rode a bus would remember staring at the ads out of boredom.

During the fall of 1962 Tolford connected to Soupy Sales, who at that time had hugely popular television show in Los Angeles on a local station, I think it was KABC. It was great fun, he had two dogs (all you could see were their arms and paws) White Fang and Black Tooth. They interacted with Soupy throughout the show. At some point Soupy was suspended for a time because he asked his audience – kids – to go into mommy’s purse and get those green bills and mail them to me. Needless to say, this caused a big uproar.

Soupy Sales puts up a sign in a Bus

However, before that incident, Soupy took on a serious campaign to keep kids from dropping out of high school. Tolford had the transit bus cards designed, and Soupy showed a short film on why kids should finish high school. I’m sure it had an impact.

In the early 1980’s Fred Dorsett and I went on a book buying trip to Central California to meet and trade with some collectors. On the way back to Los Angeles we stopped at a restaurant to get a bite and when we sat down at the booth Fred looked over at an older couple sitting a few booths away and said loudly “hey that guy looks like Soupy Sales.” It turned out to be Soupy and his wife, and they invited us to sit with them. We had a great time talking about his television show twenty years past and other shows. Fred & I were both fans and Soupy said he was amazed that so many folks remembered his show. Youtube has examples of his various shows, free to watch and have a lot of belly laughs at Soupy’s antics.  He did the famous pie fight with Frank Sinatra and the Rat Pack.

The Death Valley 49ers

For years Hugh Tolford was Production Chairman of the Death Valley 49ers. He was in charge of the annual encampment that takes place in November of every year. The group was founded in 1949 on the 100th anniversary of the so-called Jayhawker Expedition, much of which ended in disaster in Death Valley. The very first encampment brought out around 50,000 folks camping and enjoying the festival.

When Tolford took over promoting the annual encampment, the attendance had dropped to a few thousand. He boosted attendance to 10,000 then15,000 and eventually at times about 27,000. He was a great publicist and a dedicated “desert rat” prowling the back roads of Death Valley with his wife and daughter. The Tolford family were into silversmithing, writing, photography and exploring Death Valley. In the mid-1960s the membership was $2. Today it is $50, another example of the loss of value of the old dollar.

Tolford was President of the Death Valley 49ers

One of the amusing things Tolford did was to get the Stetson hat company to issue a replica of the “Boss of the Plains” hat made of beaver that became famous in the covered wagon days. These hats were not sold, but Tolson and some of the 49ers were gifted hats by the President of the Stetson company.

Badwater Bill in 1960 ready to enter the Flapjack contest

Real Estate

Tolford was also involved in real estate. One ad I found offered an unfurnished house on 35 acres. “Stables for horses, beautiful site, $20 per month. You pay utilities.” That sounds like a great deal, even in 1964. So how do you like the value of your dollar now? What would that cost to rent today? I would think somewhere between $5,000 – $10,000 depending on location.

Hugh Tolford Charity Work and Leadership

Hugh Tolford was a bundle of energy all his life. We wonder when he ever had time to read, or even sleep. Aside from his job at the California Transit Advertising he was active in quite a lot of organizations:

–Los Angeles Cultural Heritage Board

–Zamorano Club (President in 1984)

–E. Clampus Vitus (President and Noble Grand Humbug)

–The Big Ten Club (President – he attended University of Michigan)

–Sheriff of the Westerners Los Angeles Corral

–President of the Death Valley 49ers in 1965

–Ran book fairs for the ABAA for about 15 years.

–An author of books, limited edition keepsakes, and pamphlets.

Some Books by Hugh Tolford

–The Death Valley Chuck-Walla

–The Place Called Death Valley. 35th Annual Death Valley 49ers Encampment.

–Fifty Years Ago at Furnace Creek Inn

–Zabriskie Point and Christian Brevoort.

–Take the Train to Death Valley: Death Valley Railroad LTD.

–Automobiling Desert Trails

–The Ties That Bind – A Biographical Sketch of Horace M. Albright

Hugh Tolford passed away on June 7, 2011. I was honored to know him and a retrospective of his life reveals what a giant of a man he was.

 

 

 

Los Angeles Vintage Paperback Show Returns to Glendale

Sunday March 19, 2023 at Glendale Civic Auditorium

Tom Lesser’s Show –
43rd Year!

Known across the country as the best show for collectors of paperback books, it is the only show that has a raft of great authors signing books for free!  Thousands of rare and collectible paperbacks are on sale by vendors and collectors.  Admission is only $10, show starts at 9am until 4pm. 

Location: Glendale Civic Auditorium, 1401 Verdugo Rd., Glendale, CA.

Guests and Scheduled Times – List – Los Angeles Vintage Paperback Collectors Show

J. J. Lally Reference Library Up For Grabs at Christie’s

Lally Dealt in Oriental Art Objects

J.J. Lally

For nearly forty years, J. J. Lally & Co. presented exceptional Chinese works of art to collectors, connoisseurs and museums worldwide. Established in 1986, the gallery was at the forefront of a pivotal moment in time, when New York City emerged as an important center of Chinese art. Situated in the jewel-box gallery in the Fuller Building on 57th Street, J. J. Lally & Co. became known as the intimate space where Chinese masterworks could be admired, contemplated and studied in the tradition of China’s ancient literati. Carefully planned exhibitions accompanied by catalogues with in-depth scholarly research defined the impeccable reputation of the gallery and the esteemed dealer who created it. In the following years, this dedication to quality and scholarship led to the placement of important objects in top museums and collections across the globe.

Visitors to J. J. Lally & Co. will remember the iconic reference library, which also served as a quiet, private space for first-hand viewing, study and discussion. The sale of the library will comprise 116 lots of essential volumes for the new and experienced collector, including reference books, scholarly journals, museum exhibitions, auction catalogues from the 1970s-2021, as well as a complete set of J. J. Lally & Co. exhibition catalogues.

The sale will be open for bidding from 15 March, 8:30 AM to 30 March, 8:30 AM (EDT).
Contact
Margaret Gristina

asianartny@christies.com

+1 212 636 2180

What’s That Book Worth?

A Book Collector’s Guide to Determining the Value of the Books in your Collection.

by

Mark Sailor

What makes a book collectable? Is your copy of “Gone with the Wind” worth $5?  Or is it worth $1,000?  Why are some books more valuable than others?  A book is collectable for three reasons: desirability, thriving on the popularity of a given series [Harry Potter], or a first rate writer [Sue Grafton, Clive Cussler]. Books of popular authors and topics are readily available, making your local bookstore a valuable asset for reading and information. Books available from the publisher are ‘In-Print’. Popular demand for a title or author keeps books in print. Out of Print books are books no longer
published. It might be a tattered copy of Uncle Tom’s Cabin on the attic shelf, or dusty copies of a Nancy Drew series book.  Pamphlets and
stacks of printed advertisements (ephemera) from a bygone area rest in a forgotten corner, hiding their tremendous value as keys to the immediate past or a fortune at the auction house. Can you find a copy of Edgar
Allen Poe’s Tamerlane?  It could fetch some half a million dollars if you did – a bookseller, as an apprentice some years ago, found a copy in a stack of magazines!?!

The desirability for used and rare books exists in the continuing demand for an author or a title. The scarcity of used and rare books vary. You might have a copy of Uncle Tom’s Cabin in a variety of different forms – it was published many times over. When it first appeared in 1852, it galvanized
a large portion of the American Public against slavery and motivated a movement of emigrants toward Kansas and Nebraska. The effect of the books’ popularity was tremendous in showcasing the need to resolve the issue of slavery, and paved the way for the Kansas-Nebraska Act. The dull grey boards of this 2-volume set and the solemn ‘stereotyped by Hobard and Robbins 1852’ provide “points” – the ‘e-ticket’ to a set of books which can fetch as little as $250.00, or as much as $10,000, depending on condition. A fine copy of these books, and others, in good condition, coupled with demand (desirability) drives the market in used/rare books. In the case of Uncle Tom’s Cabin, it became part of American History, and its
desirability was established for collectors as millions of copies were published.

Often titles are published and become immediately collectible: Gone With The WindEast of Eden, Wizard of Oz, just to name a few. Because of their popularity, early or first editions become highly collectible when the original copies are no longer available or in print. Try to find a Sue Grafton “A” or “B murder book in first edition- I bet you’ll pay a little bit for a nice copy! More often than not, titles and authors grow from small beginnings. It’s just this fact that makes early titles and editions of authors collectible.
Most importantly then, the condition of any collectible item comes into focus in making a price. Just like a metal Coca Cola sign from 1920 or an Essex 8 automobile from the 30’s, condition is everything.

It’s really pretty easy – you just have to look at your shelves to find a collectible book; get lucky at the local library sale, or a yard sale
on Baldwin Avenue, or an old warehouse on Montecito Avenue.
First, let’s start with BOOKS IN PRINT {Bowker, Ann Arbor, Michigan}. Available at the local library or in CD Rom form, this valuable source will help you determine the status of your book (In Print, Out of Print).
Is it a First Edition? Try A Guide to First Editions by Robert McBride, as well as Points of First Editions. Most used and out of print booksellers carry this handy reference book – and you can, too. Collected Books: The guide to Values, by Allen and Patricia Ahearn, is a readily available pricing guide and reliable source for determining the collectibility of many rare and scarce books. The Ahearns include some 25,000 titles, and this book is an easy guide and a starting point for collectors. It includes the input of several American and worldwide booksellers who specialize in out-of-print
books.

Next, go to Abebooks.com or Addall.com on the net to look up your books. Be careful not to look for just the highest price – that might not be your copy – but then, it just might! Remember, the internet often features sellers who
have unrealistic expectations based on the Uncle Ernie or Auntie Em pricing theory. Just because a seller wants to fetch a high price and finds some other wannabee high pricers, doesn’t establish rarity. Look for consistent price quotes (a spread) from lots of different dealers and look
for patterns from established booksellers. Don’t forget Ebay – lots of discount books are available here; as well as from Bookfinders.com.
Desirability, scarcity, condition.

Before He Was A Bookseller, Arnold Herr and Steve Gibson Re-Invented 3-D Adult Movies

The Saga of 2 Men, A 3-D Camera Rig, And Big Screen Sex Stories

Famous Hollywood Bookseller Arnold Herr, author of “The Wild Ride of a Hollywood Bookseller”, has a new book out.  It is the story of his life before books:  Arnold was in the adult film business, churning out porn films, but with a kicker, his films were in 3-D.  (His memoir on Hollywood bookselling is currently out of print, with copies going for about $100 if you could find one.)

Arnold Herr’s new book “Skinflick” is important for two reasons.  The first is the “deep dive” into his years of work in the field of 3-D photography and his experiences in working and producing 3-D sex films.  The second, equally important reason, although not stated in the book, shows how outsiders can affect an entire industry by thinking outside the box, in this case outside the camera, and use their inventiveness and creativity to explore unknown territory.

When Mr. Herr began to be interested in film in the late 1960s, he must have looked at the established ladder of cinematic success, and experienced a sinking feeling.  The ladder running up from the USC, UCLA, and New York film schools was packed with thousands of young folks from rich and well-off families who had absolutely jammed the rungs of the ladder.  Even a monkey couldn’t find a hand hold.

So Arnold Herr began his career by going in the opposite direction, down the ladder through a few layers of our tawdry civilization to find a starting point that wasn’t so crowded with the offspring of the well-to-do.  He took a film class at L.A. City College, a well-worn series of buildings in an edgy part of Los Angeles.  To supplement his income, he got a low-paying job as a projectionist in a porn theater.  He later jumped into porn filmmaking finding an even lower paying job with a local porn film company.  He was on his way.

“Skinflick” charts his journey not just into the production of erotic films, but into the world of 3-D filmmaking with his partner, 3-D pioneer and inventor Steve Gibson.  You will enjoy reading how they developed techniques of setting up specialized 3-D cameras, lenses, and special effects.  There is a lot of inside information here.  And because 3-D needed glasses, Mr. Gibson became the king of them, filling a warehouse with millions of pairs that he had manufactured. (He still has a few hundred thousand if you know someone who could use them.)

The secret lesson of this story is that Mr. Herr and Mr. Gibson together invented new techniques and explored new areas of movie making that 99% of the graduates of the expensive film schools have failed to do.  This is not directly mentioned in the story, but is a lesson that will be evident in absorbing it.  Sometimes coming up in an industry the hard way, from the bottom, gives a person a perspective that can’t be purchased by being pegged in near the top.  The hardships of start-up entrepreneurs puts pressure on the creative section of their brain, if they have one, to come up with solutions to vexing problems.

Although not discussed in the book, Mr. Herr and Mr. Gibson went on to film a 3-D horror film that won awards in 3-D festivals, but has still not seen release several years afterwards, a real shame.  As the Movie Theater business has been slammed by many factors like the Covid Lockdowns, big finance buyouts, and competition from streaming and internet, many movie theater chains are either in bankruptcy or looking at it.  Maybe a 3-D film revival will bring some crowds back to the theaters.  It’s tough to have a home set-up for a 3-D film, but certainly a lot of fun to experience it in a movie theater.

“Skinflick” is a fun read, but is also informative for those interested in filmmaking.  It also appeals to those who have an interest in some of the guys and gals in the “adult” film industry, quite a few of them are present in the book, including Bill Margold, (RIP), actor, writer, and Hollywood Press film critic with the great adult film reviews; Serena, John Holmes and many more.

Hollywood’s Lost Book World East of Vine

From Bookstore Memories Time Capsule Archives: 

Universal Books, Hot Dogs, Nazi Bikers, Texas Rangers, and the Hollywood Bookseller’s Baseball League Starring Icky Icky Icky as a Fastball

Mark Sailor’s Nostalgic Memories of his Early Days in the Long-

Vanished Hollywood Book Trade East of Vine Street

Universal Book Store
Photo by Wayne Braby

Editors note:  Mark sailor wrote this about his early adventures in the Hollywood book trade.  The manuscript is undated, and I found it in Frank Mosher’s storage unit many years ago when I helped him move an enormous bunch of books and shelves.  I worked with dear friend Mark during the last couple of years of Cliff’s Books. We had known each other since the early 1970s.  He  died about a year before Cliff’s closed down.  Hope you enjoy this travel back to the days when Hollywood was lined with book stores, the golden age of the late 1960s and the 1970s.

Story by Mark Sailor

The south side of Hollywood Boulevard at Argyle was a squalid corner in the early seventies.  Universal Books existed only because of the times in which we lived:  a group of tiny shops jumbo packed between the Dog House and Marlow’s Magazines on the corner.  Serenaded by an endless rendition of Dueling Banjos through the paper thin walls that separated Universal Books from the cowboy bar just next door, we hosted Nazi biker gangs curbside on Friday Nights.

Marlows Book Shop
Photo by Wayne Braby

Our regular clientele included Don Morphis, “Head Reverend of the Church of Satan of Hollywood”, and Frank Braun, ex-Texas Ranger, a sometimes unwelcome frequent flier.  Frank had 19 packages of books on the hold shelf above the front counter of the book shop.

We lived in a time of the world of dreams as large as the Bingo Mansions and the Hollyberries who instantly occupied their immediate celebrity west of the Sunset Strip.  But we lived in a real-world east of Vine Street where rents diminished the farther one traveled into the habitat of ex-Nixonista refugees from Asia and the lands of the troubled Middle East.  Like living on Pluto at the edge of the Solar System,  we were at the edge of the Hollywood book world, east of Vine, in the shadow of the fading glamour of the Brown Derby and The Broadway Department Store.  In fact, just west of Argyle was the last outpost of the Hollywood Dream, the beautiful Pantages Theater.  The bulk of the bookshops were sprinkled west of Vine all the way to Highland Avenue.

I was a student at Occidental College.  My scholarship did not include meals.  I worked at Universal Books at night.  I learned to “slap jackets” there and my mentor Larry Mullen taught me cataloging.  It was my job to catalog the Black Americana collection started by Jerry Weinstein, a book maven and previous owner.  Jules Manasseh was the co-owner and had entered the book world as an auto insurance salesperson.  Jules’ manic presence as banker and novice bookseller provided a fertile backdrop of excitement and angst.  We were always broke.  Mrs. Manasseh’s matzoh ball soup on weekend nights was a blessing unexpected and usually happened following a big sale.

Universal Books was a small shop of 1000 square feet divided into two rooms; a main browsing parlor on Hollywood Boulevard and a backroom where books were processed by myself and fellow future bookseller Melvin Gupton.  Melvin was a student at Ambassador College.  He worked nights as I did.  Later, Melvin moved to Valley Book City on Lankershim Blvd. in North Hollywood.  In the eighties Melvin opened Modern Times Bookshop in Pasadena and specialized in art and first editions.  His brilliance was as unexcelled as his petulance toward everyday duties like making coffee and bathroom cleaning.  His early death some years later was a loss to the world of knowledgeable and seasoned booksellers.

It was because of the shortage of money that I was chosen to call Frank Braun, ex-Texas Ranger so he could pay for one or more of the nineteen packages on hold.

“You wanna get paid, huh?”  Frank Braun was terse.  “You bring packages #2 and #19 to the Dog House in twenty minutes.”

“How will I know you?”

“Don’t worry about me – I’ll know you,” he quipped.

I turned to Larry.  He was already getting the packages down off the shelf.

“You gonna tell him Frank Braun’s got a gun?” Jules pealed.

“Don’t worry.  He won’t use it.” Larry answered.  His voice was flat as a pancake.

“Why me?” I asked.

“Cause he’s a nut,” Jules answered, “and an anti-Semitic bastard.”

“You gotta go” Larry told me.  “We need the money.”

The Dog House was a little Cinderella-style building 40 feet long and about as high as two trailers stacked sandwich style on top of one another.  The dogs were as good and cheap as the clientele.  Expatriates of the cowboy bar mingled with horse racing cappers.  Hollyweirders abounded.  Sometimes the lines into the Dog House exceeded the benches waiting for diners.  It was a jumpin’ joint.

An arm in a trench coat yanked me.  “You Mark?” the voice demanded.

I nearly dropped the book packages.  It was Frank Braun.

“Guess you wanna get paid?” Frank peeled open his Bogart-like coat, revealing a 45 and a checkbook.  I was so scared I almost washed my pants.

“You seen Larry lately?  He’s a hang dog and lost his spirit.  You tell Jules ‘the Jew’ Manasseh that Frank Braun’s ready to meet him anytime.”

I got Frank’s check and hurried back to the bookshop.  Sans hot dogs, sans kraut.

Universal Books existed as a bookshop because of the high esteem in which books were held.  No electronic device could replace Uncle Tom’s Cabin with the telltale “Stereotyped by Hobart and Robbins” and the 1851 moniker in two blind stamped brown cloth volumes which made it an exceptional and rare work.  No computer could duplicate signed copies of W.E.B. Dubois “The Souls of Black Folk” or Jean Toomer’s “CANE”.  The electronic equivalency and/or convenience of the Kindle iron lung dependent on a battery or a cord mirage existence, now you see it, now you don’t, just didn’t exist.

Book scouts, legendary and famous, were always coming into Universal Books.  Maybe they wanted money from the previous book buy, maybe they didn’t.  I got to know Jack Crandall, who later discovered a collection of incunabula in Kansas and bought an honest to God mesa in Arizona, complete with Indian bones and the remains of failed Conquistadors.  Jack was great; he found the exceptional book and we sold it.

‘Doc’ Burroughs, a gruff and talented book scout, provided occult and mystical books.  His presence was often joined by another great bookseller, Paul Hunt.  Paul’s star as a bookseller traveled and ascended into several great shops in Burbank, including Book Castle, and a store called Atlantis Book Shop, specializing in the paranormal and UFOs.  An encouraging friend, Paul also helped create the California Book Fair, a convention of booksellers gathered annually at the Glendale Civic Auditorium or the Burbank Hilton.  It was there such luminaries as Jay Leno and Kevin Tighe began their book collecting careers.

Doc, Larry and Jules provided the final boot to the Nazi Bikers.  On Friday nights “Icky Icky Icky” the biker leader would come in, pick a Bible from the shelf, tear it up and goose-step out of Universal Books with his arm and middle finger doing a HEIL HITLER.  After some weeks of this grandstanding, the boys (Jules and Larry) called Doc for help.   At about 8:15 that night, Icky Icky Icky met a baseball bat invitation from the “Hollywood Booksellers Baseball League”. His head was to be the fastball.  He was escorted out of the store.  It took a lot to subdue Doc Burroughs, who really wanted some batting practice.

The answer to our troubles was a bullet through the front window some weeks later.  Ironically it was from Frank Braun, whose gall overcame his pall of resentment about Jules.  I found out later Frank had commissioned Igor (Hollywood’s carpenter who built bookshelves) to build 20 bookcases on wheels with doors, so to move from his Beachwood address in the event of attack or invasion by the communists.  Some kids dumped boulders on Frank’s roof and Frank released the 20 cases down Beachwood Drive.  I never heard from him again.

Larry Mullen moved to Mexico.  Jules Manasseh moved his store up to the middle of Hollywood Boulevard some years later.  Doc Burroughs and Paul Hunt opened the Atlantis Bookshop on Hollywood Boulevard and after Doc’s death Paul moved to Burbank and re-opened the shop on the old Golden Mall where it flourished for many years.

The high shelves at the Universal Bookshop and its depth of stock was a delight to many a book reader.  Its passing was unmentioned like a Blanche DuBois typescript unremembered for want of a cast of characters.  In its Streetcar Named Desire was the beginning of a long journey into the book world of rarity and wonderment.  It was a fine community of Hollywood bookstores.  Those book stores now exist only on bookshelves in readers homes throughout the City.  Perhaps you have some copies in your home too, books from Hollywood’s lost book world, east of Vine.

Old Book Cart in Florence, Italy

Los Angeles Could Use a Few of These

by Paul Hunt

This Photo taken by Bookseller Arnold Herr:  He writes: >>  I looked through Bookstore Memories the other evening and saw your article on book carts in Europe and your request for other pictures.  Here’s one I took in May 1987 in Florence, Italy.  It stood outside the Medici Palace and was just down the street from a penzione I was staying at while in town.  Feel free to use it.

Thanks much, Arnold, we love the book carts.  Pre-Pandemic (seems like a different lifetime) I was occasionally stopping by the Goodwill Outlet store near DTLA.  They had carts similar to the ones in London, basically just a giant drawer on wheels.  Most of the carts were full of clothing, a couple with other junk, and maybe 10 filled with books.  It was madness, the clerks would push out a cart and everyone would have to stand back about 3 feet.  Then the clerk would yell out “OK” or “Go for it”  and the mob would attack the cart, stuff flying everywhere.  The book scouts who were looking for textbooks were the worst, they would just fling  books around.  Many books were shredded by this insanity, spines broken, dust jackets torn.  Picture a pack of Jackals in Africa, plunging into a lame antelope, biting and snarling at one another, occasionally nipping off a piece of meat, the poor antelope giving a final cry and then dying of fear.  That was the Outlet store at its finest hour. Minor injuries were common. Yelling at jerks very common.

I did occasionally find a nice pamphlet or book, but it was not always worth the physical abuse and the evil thoughts of what the fate should be to the reckless bozos throwing textbooks at each other.  The price was right, 75 cents a pound.  Back in the good old days of the early 1970s I used to go to the warehouse of one of the Thrift chains and buy books and magazines by the pound.  Magazines were 10 cents a pound and books were 25 cents a pound, and there was a staggering amount to plow through every day.

So a couple weeks ago I stopped by the Outlet to check the book scene, it was open, although there was a line to get in, and masks were required.  I waited about a half an hour, which isn’t so bad because all the libraries are closed and many of the few remaining bookstores are shuttered.  I got in and there was only one cart with books, an abysmal selection of junk, I couldn’t even make a mercy buy.  So much for the good old days of book mayhem. Social distancing has put an end to the mob of vultures.  At least back then you could get a few things. The carts of literacy are just more victims of the declared pandemic. Our culture may not be far behind them, rolling toward oblivion on broken wheels.

Hollywood Bukowski Mural Obliterated

Cultural Depravity?  Who Painted Out The Great Bukowski Mural?

First – Here’s The Mural and the Artist As I Filmed it in 2015.

The Mural, at Kingswell and Vermont in East Hollywood was painted in 2015 by Nathan Anderson, a local L.A. artist.  The person who evidently commissioned the mural was none other than Hollywood bookseller Alan Siegel’s daughter, who was trying to open a “Bukowski” bar a few feet east of the Mural.  Alan ran Hollywood’s biggest bookshop for years.  He also had another huge store out in Burbank, and a 10,000 square foot warehouse in NOHO.  His daughters were raised in the book stores, and I heard it was Marcie who was opening the bar, which I don’t think got off the ground.  If anyone has any information on this let us know.

I was sad to get this message from my Facebook friend Robert Ready:

“Hey Paul! I wish I had been mistaken, but that Charles Bukowski mural on the south side of Kingswell at Vermont in Los Feliz *has* been painted over–with an ugly and pointless brown pigment. Oddly, the mural of his books is still up, just a few yards to the East…”

Here’s the latest photos Robert sent us:

No more Bukowski – Just an Ugly Brown Wall, which is perfectly symbolic of the antics of Hollywood landlords.  Photo by Robert Ready

Some books still survive the wipe out.  Photo by Robert Ready

Bukowski curbed, so to speak  Photo by Robert Ready

I love this photo, I took it about 2 months after the Mural was up. Buk would have liked the idea of homeless folks sleeping under his Mural. Photo by Paul Hunt.

The physical destruction of old Hollywood continues, with countless buildings and entire blocks being torn down.  Billions of dollars pour in to build monstrous complexes.  And the homeless population seems to increase by the day.

Paul Hunt

 

The Cardinal and the Corpse

Driff Took Part in This Iain Sinclair Film

I was surprised to find this on youtube, a treat from writer Iain Sinclair.  Driffield, the infamous publisher of the old UK guides to used bookstores, took part in this.  In the 90s I went to London to track down Driff, but his short-lived magazine had closed down and he was evidently (according to various used booksellers I spoke with) in hiding from creditors.  I searched high and low, book shops, book stalls, book shows, pubs, no Driff, although once in a while some bookdealer would report a sighting.  More on Driff and the great Iain Sinclair at a later time.

Bucks on the Bookshelf Resumes Broadcast Saturday

WBFI Radio Show on Books and Bookselling Resumes Saturday

Saturdays Pacific Time is 10am to Noon. Steve Eisenstein is the host of this great show for all book people.

Steve says

MY GUEST TODAY IS NO ORDINARY “JOE” His name is Joe Corso. His awards are of olympic proportions. He has written 31 books which resulted in 32 awards. Which translates to a 4 time top 100 best selling author. Want to pick his brain I do, so join us for a great interview Saturday November 25th. For some early details Corsobooks.com

We also will be answering several questions we have received while we were off air the past two weeks. PRIZES WILL BE POSSIBLE TODAY. WE HOPE YOU WILL JOIN US FOR AN
AFTERNOON OF BOOK TALK. got a question or comment give us a call 1 727 498 0459. It is really nice to be back live Saturday’s were not the same without you.
In the second photo we prove our theory. THERE IS NEVER ENOUGH SPACE FOR BOOKS!!

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Call in Number:   1 727 498 0459. 

Go To www.WDBFRadio.com